Pastel pencil study of the intertwined hands of the Ambrogio Borghi sculpture, Chioma di Berenice. Faber Castell pastel pencils, Black and White Generals charcoal pencils on 9” x 12” Strathmore Toned Grey sketchbook paper.
I enjoy drawing the forms of the back. Especially when classically lit.
Pencil, Charcoal Pencil, Pastel Pencils and white Prismacolor pencil on 9” x 12” Strathmore Toned Grey sketchbook paper.
This is a charcoal drawing with a hint of purple to add some charm. The purple is only included in the enclosed curvatures. I gave it a lattice style background with a moderate smear. I prefer to use a lattice style background in my charcoal drawings because it adds character. Concerning meaning, it’s whatever you feel when you look at it.
Here’s a charcoal drawing of a design. Of course, I have a plethora of curvatures that range from narrow to wide in some areas. The curvatures are mirror images when comparing the left from the right. They come together to form the shape of a chandelier hanging from the ceiling. Some may even view the drawing as being similar to the pelvic area of a female. A dark blue is highlighted on the drawing to add more charm. Finally, the background is a lattice style with a light smear.
Some shoulder studies using a statue by Borromini. The muscles on this guy were bizarre and somehow still anatomically correct. Medium: Charcoal on Newsprint Time: 30 min x 3
